
Defining Power: Of Mice and Men & Central Park Five
Inquiry Framework
Question Framework
Driving Question
The overarching question that guides the entire project.How do the intersections of race, class, and ability determine an individual's power, and how can we use historical and fictional narratives to challenge systemic prejudice in our world today?Essential Questions
Supporting questions that break down major concepts.- How do societal labels based on race, class, gender, and ability create or restrict an individual's power?
- In what ways does a lack of power influence how individuals treat those even more vulnerable than themselves?
- How does the historical context of the 1930s (Of Mice and Men) compare to the 1980s (Central Park Five) in terms of who the justice system protects?
- How do authors and filmmakers use specific evidence and narratives to expose power imbalances in society?
- Can an individual maintain their sense of self-worth when society tells them they are powerless?
- How do Steinbeck’s characters and the real-life Central Park Five illustrate the consequences of systemic prejudice?
Standards & Learning Goals
Learning Goals
By the end of this project, students will be able to:- Analyze how themes of power and powerlessness are developed in 'Of Mice and Men' through character interactions and plot progression, citing specific textual evidence.
- Evaluate the impact of race, class, and intellectual ability on the legal and social treatment of individuals in the Central Park Five case compared to characters in Steinbeck's novel.
- Synthesize information from fictional narratives and historical accounts to explain how systemic prejudice functions across different eras (1930s vs. 1980s).
- Construct a cohesive, evidence-based argument that explores the relationship between an individual's perceived power and their behavior toward more vulnerable members of society.
- Collaborate with peers to engage in civil discourse regarding complex social issues, using rhetoric and evidence to challenge contemporary systemic biases.
- Develop and refine a final project (written or multimedia) that demonstrates a formal style and objective tone while advocating for justice and equity.
Common Core State Standards (ELA)
Entry Events
Events that will be used to introduce the project to studentsThe Social Capital Simulation
Students enter a room where they are immediately assigned 'Social Capital' tokens based on arbitrary traits (eye color, height, or shoe brand). They must navigate a series of high-stakes mini-challenges where those with low capital are ignored or penalized, sparking a raw discussion on how physical or socioeconomic traits dictate one's 'volume' in society before a single word is spoken.The Evidence Locker: 1937 vs. 1989
The classroom is transformed into a 'Cold Case' precinct where students are presented with two disparate files: one from 1930s Salinas and one from 1980s New York, both containing 'evidence' of crimes committed by marginalized individuals. Students must categorize the evidence into 'Fact' vs. 'Perception,' leading them to realize how the system’s bias often manufactures the guilt of the powerless.Portfolio Activities
Portfolio Activities
These activities progressively build towards your learning goals, with each submission contributing to the student's final portfolio.The Power Hierarchy Map: 1930s Salinas
In this opening portfolio piece, students will analyze the social hierarchy of the ranch in 'Of Mice and Men.' They will investigate how characters like Curley, Crooks, Candy, and Lennie navigate their environment based on the 'power capital' they possess or lack. This activity sets the stage for understanding how fictional narratives expose systemic power imbalances.Steps
Here is some basic scaffolding to help students complete the activity.Final Product
What students will submit as the final product of the activityA visual 'Power Hierarchy Map' with annotated textual evidence for each character, explaining their rank in the social order and the source of their power (or lack thereof).Alignment
How this activity aligns with the learning objectives & standardsThis activity aligns with RL.9-10.1 (citing textual evidence to support analysis) and RL.9-10.2 (determining a theme and analyzing its development). It specifically focuses on how social traits (ability, class, gender) emerge as factors that shape power dynamics on the ranch.The Rhetoric of Guilt: NYC 1989
Moving from fiction to history, students will analyze the real-life case of the Central Park Five. They will examine how the media and the legal system used specific language and narrative 'order' to manufacture a perception of guilt. This activity helps students see how power determines whose story is believed.Steps
Here is some basic scaffolding to help students complete the activity.Final Product
What students will submit as the final product of the activityA 'Rhetorical Analysis Report' that identifies three specific 'narrative moves' used by the media or prosecution to strip the Central Park Five of their power and agency.Alignment
How this activity aligns with the learning objectives & standardsThis activity aligns with RI.9-10.3 (analyzing how an author unfolds an analysis or series of events) and RI.9-10.6 (determining point of view and analyzing rhetoric). It forces students to look at how the 'narrative of guilt' was constructed by the media and legal system.The Mirror Matrix: Cross-Era Connections
Students will now find the 'mirrors' between the two texts. By comparing a character from 'Of Mice and Men' (e.g., Crooks or Lennie) with one of the Central Park Five, students will explore how systemic prejudice functions identically across different decades and settings.Steps
Here is some basic scaffolding to help students complete the activity.Final Product
What students will submit as the final product of the activityA 'Parallel Analysis Chart' that compares two individuals (one fictional, one real) across three categories: Societal Label, Systemic Barrier, and Behavioral Response to Powerlessness.Alignment
How this activity aligns with the learning objectives & standardsThis activity bridges RL.9-10.1 and RI.9-10.3, requiring students to synthesize information from both a fictional text and a historical account. It addresses the essential question regarding the impact of race and ability across different eras.The Cohesion Construction Lab
Students will begin drafting their core argument. The focus here is not just on what they say, but how they connect their ideas. They will practice using transition strategies to link their analysis of Steinbeck's fiction with the historical reality of the Central Park Five, creating a cohesive argument about systemic prejudice.Steps
Here is some basic scaffolding to help students complete the activity.Final Product
What students will submit as the final product of the activityA 'Cohesion Blueprint'—a polished, three-paragraph argumentative draft that uses sophisticated transitions to link fiction, history, and the student's own claim.Alignment
How this activity aligns with the learning objectives & standardsThis activity aligns with W.9-10.1.c (using words/phrases to create cohesion and clarify relationships) and W.9-10.5 (developing and strengthening writing through revision). It focuses on the 'mechanics of argument' for their final synthesis.The Justice Advocacy Pitch
In this final activity, students move from analysis to advocacy. They will prepare a presentation that uses the evidence from 'Of Mice and Men' and 'The Central Park Five' to propose a way to 'challenge systemic prejudice' in their own school or community today. They must use their findings to convince an audience that understanding these narratives is the first step toward justice.Steps
Here is some basic scaffolding to help students complete the activity.Final Product
What students will submit as the final product of the activityA 'Justice Advocacy Pitch'—a 5-minute multimedia presentation that presents a logical line of reasoning and a call to action.Alignment
How this activity aligns with the learning objectives & standardsThis activity aligns with SL.9-10.4 (presenting findings and evidence clearly and logically) and SL.9-10.1 (participating in collaborative discussions). It serves as the project's 'Public Product.'Rubric & Reflection
Portfolio Rubric
Grading criteria for assessing the overall project portfolioPower, Prejudice, and Perspective: Comparative Portfolio Rubric
Critical Textual Analysis
Evaluates the student's ability to extract, analyze, and interpret evidence from fictional and informational texts.Evidence & Inference (RL.9-10.1)
Ability to cite strong and thorough textual evidence to support analysis of character power dynamics in 'Of Mice and Men' and factual evidence from the Central Park Five case.
Exemplary
4 PointsDemonstrates sophisticated analysis by selecting the most poignant, nuanced evidence from both texts; inferences are perceptive and reveal deep insight into character motivations and systemic pressures.
Proficient
3 PointsProvides thorough and accurate textual evidence to support claims; inferences are logical and clearly connected to the evidence provided from both the novel and historical documents.
Developing
2 PointsIncludes some textual evidence, but it may be general or occasionally lack direct relevance to the claim; inferences are basic or inconsistently supported.
Beginning
1 PointsProvides minimal or irrelevant evidence; struggles to draw logical inferences from the texts; evidence does not support the analysis.
Structural Analysis (RI.9-10.3)
Analysis of how the author (Steinbeck) or the system (NYC Legal/Media) unfolds a series of events or ideas to create a specific narrative of guilt or powerlessness.
Exemplary
4 PointsSkillfully analyzes the intricate connections between events, demonstrating how the sequence and development of ideas were strategically manipulated to manufacture specific public perceptions.
Proficient
3 PointsClearly analyzes the order of points made and how they are developed to introduce and support a central narrative or case.
Developing
2 PointsIdentifies the sequence of events but provides limited analysis of how those events are connected or how they contribute to the overall development of ideas.
Beginning
1 PointsLists events or ideas chronologically without analyzing how they are introduced, developed, or connected to a larger narrative.
Themes and Perspective
Focuses on the deeper meanings, thematic connections, and rhetorical strategies used in the narratives.Thematic Development (RL.9-10.2)
Analysis of how the themes of power, prejudice, and systemic bias are developed and refined through character interactions and historical context.
Exemplary
4 PointsProvides a nuanced analysis of how complex themes emerge and are refined by specific, interconnected details across both the 1930s and 1980s contexts.
Proficient
3 PointsDetermines a clear theme and analyzes its development in detail, using specific character interactions or historical facts as supporting evidence.
Developing
2 PointsIdentifies a theme or central idea but offers a superficial analysis of its development throughout the text or case.
Beginning
1 PointsIdentifies a topic rather than a theme; lacks an analysis of how the idea is shaped or refined by details.
Rhetorical Analysis (RI.9-10.6)
Ability to determine the author's or media's point of view and analyze how rhetoric (loaded language, framing) is used to advance that perspective.
Exemplary
4 PointsCritically deconstructs how sophisticated rhetorical devices and point of view are utilized to strip individuals of agency and manufacture a narrative of 'otherness.'
Proficient
3 PointsAccurately determines point of view and provides a clear analysis of how specific rhetoric is used to support a particular perspective or purpose.
Developing
2 PointsIdentifies the point of view but provides limited or inconsistent analysis of the rhetorical strategies used to advance it.
Beginning
1 PointsStruggles to identify the point of view; identifies some language use but fails to connect it to a rhetorical purpose.
Argumentative Synthesis & Writing
Assesses the formal structure, logical flow, and iterative development of the student's written arguments.Argumentative Cohesion (W.9-10.1.c)
Using words, phrases, and clauses to link major sections of the text, create cohesion, and clarify relationships between claims, evidence, and cross-era comparisons.
Exemplary
4 PointsUses a variety of sophisticated transitions and organizational structures to create a seamless, elegant flow of ideas that highlights complex relationships between fiction and history.
Proficient
3 PointsUses appropriate words and phrases to link sections of the text, creating clear cohesion and clarifying the relationship between various claims and evidence.
Developing
2 PointsUses basic transitions to link ideas, but the flow of the argument is sometimes choppy or the relationships between points are not always clear.
Beginning
1 PointsLacks cohesive devices; the writing feels disjointed, making it difficult to follow the relationships between claims and evidence.
Revision and Process (W.9-10.5)
Evidence of planning, revising, and editing based on feedback to strengthen the argument and address the specific purpose and audience.
Exemplary
4 PointsDemonstrates an exceptional commitment to the writing process, significantly transforming the work through multiple iterations of high-level revision and peer collaboration.
Proficient
3 PointsDevelops and strengthens writing through a clear process of planning, revising, and editing to address the most significant aspects of the task.
Developing
2 PointsShows some evidence of revision or editing, but the changes do not significantly strengthen the argument or address core feedback.
Beginning
1 PointsProvides a draft with little to no evidence of a meaningful revision or planning process.
Communication and Advocacy
Evaluates the student's ability to communicate findings to an audience and engage in civil, evidence-based discourse.Presentation Clarity (SL.9-10.4)
Presenting findings and supporting evidence clearly, concisely, and logically so listeners can follow a line of reasoning.
Exemplary
4 PointsDelivers a compelling and logical advocacy pitch; uses multimedia elements innovatively to enhance the argument; line of reasoning is flawless and persuasive.
Proficient
3 PointsPresents findings and evidence clearly and logically; organization and style are appropriate to the audience; the line of reasoning is easy to follow.
Developing
2 PointsPresents information with some organization, but the line of reasoning is occasionally unclear or the evidence is not fully integrated into the presentation.
Beginning
1 PointsPresentation is disorganized or lacks sufficient evidence; the audience finds it difficult to follow the speaker's main points or conclusions.
Collaborative Discourse (SL.9-10.1)
Participating in collaborative discussions, building on others' ideas, and expressing own ideas clearly and persuasively while defending conclusions with evidence.
Exemplary
4 PointsLeads collaborative discussions with sensitivity and insight; masterfully synthesizes diverse perspectives and defends conclusions with high-level evidence and poise.
Proficient
3 PointsParticipates effectively in discussions, building on others' ideas and expressing own perspectives clearly while using evidence to support claims.
Developing
2 PointsParticipates in discussions but may struggle to build on the ideas of others or provides limited evidence when defending a point of view.
Beginning
1 PointsRequires frequent prompting to participate; struggles to express ideas clearly or use evidence to support claims during collaborative work.